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BOYCOTT "ROLLING STONE" MAGAZINE!!!!!!!!!!!!!!!!!!


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The only copy of Rolling Stone that i have ever bought was the one with Megan Fox on the cover.

 

I don't mind never buying another issue tongue.gif

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A friend bought me a subscription for RS last year and I could not read it. It was soooooo politically driven and focused on the latest BIG thing in music, most fo which I consider pop-garbage, not rock-n-roll.

 

They can suck my ass.

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QUOTE (Strangiato @ Apr 25 2011, 01:43 PM)
The only copy of Rolling Stone that i have ever bought was the one with Megan Fox on the cover.

I don't mind never buying another issue tongue.gif

I must admit that your acquisition (megan fox issue) was acceptable and needs no apology. wink.gif

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QUOTE (Silas Lang @ Apr 25 2011, 12:58 PM)
I've always felt since they started it that a hall of fame is the antithesis of what music is all about.

Good point. It's all based just on some idiots' opinion. But I think there could be a systematic way of determining who gets in to the RRHOF, maybe based on a combination or longevity, record sales, etc.

Edited by GernTheFish
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I've been looking into Rolling Stone lately, and that magazine has lost all it's credibility over the years as it is. Instead of focusing on the music it focuses on image and what is popular now. RS doesn't give a crap about a band/artist "making it," but instead promoting them when they are popular and bashing them when they lose success. I mean, look at what they did to Michael Jackson.

 

I agree that Rush doesn't need RS or the Hall of Fame to prove just what they have done, because we the fans know what they have done. Everything about them is unique, and no one could ever even attempt the copy their sound, technique, or progression.

 

It just kills me that Neil Peart can be named the Greatest Living Drummer by RS magazine and they down Rush so badly.

I for one think people WOULD vote for them, but they are better than just an induction.

 

2.gif

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RS was cutting edge and interesting when it was young (as was I)......interviews with Lennon, Morrison, etc. I bought it and read it up until the point that they reviewed a new J. Geils Band album and the reviewer gave it a poor review. It was the album "Monkey Island" and since I was a fan of the Geils Band, I ignored the review and bought it anyway. It was the first album of theirs that received a negetive review from the mag so I thought that maybe the guy just had the ass for that band. After a number of listens, I found I didn't like it any better than he did and agreed with most of what he had to say.

 

Then the next issue came out and I was perusing it when I found an editors' statement in the album reviews section retracting the negetive review of the Geils album in the previous issue and stating that it was in fact a good record. At that point I knew the rag was nothing more than a shill for the record industry and that they had likely been pressured to retract the poor review to attempt to get better sales figures for the record. I have never read the magazine since and never will.

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Rush themselves don't give a flying f**k about the farce known as the RRHOF.

 

I don't give a shit either.

 

Seriously.....who cares anymore? We all know the RRHOF is a joke. And so do most fans of great music.

Edited by Todem
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Billy Corgan said it well in Beyond the Lighted Stage that if at some point you can't acknowledge their body of work and accomplishments, regardless of what you think of their music, then you're just being a douche. Who knows, maybe he was even taking a little shot at the RRHOF there.

 

Whatever objective criteria there is out there for induction (admittedly not enough) they've met nearly all of it. No, they didn't usher in a whole new genre of music like say the Sex Pistols or Nirvana, but Album sales, longevity, influence, fan following, they've got all that and it's been enough for other acts to get in. Their status as, in the words of RS themselves, the "World's Biggest Cult Band" one can that can somehow maintain cult status while also selling millions of records and sell out large concert venues year after year uniquely sets them apart in the industry.

 

But a few douches in suits don't like Geddy's voice and Neil's lyrics and so they don't get in. You kind of lose all credibility when you're that subjective.

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The whole thing is a joke, and I actually find it comforting that many of my favorite bands are not in the stupid thing.

 

Rush (fav band) is the most obvious omission, but my 2nd fav band, Heart, is also snubbed. Read that they don't like the fact Heart switched so many band members..um, excuse me? If that is an issue why is Fleetwood Mac in?

 

Kiss. Actually I am not really a Kiss fan, but to exclude these guys is retarded. Love or hate them , their mark on rock music is undeniable...I don't think I have ever met anyone with even a passing interest in music that doesn't know who Kiss is.

 

Tonight I learned that Toni Basil got in for "Oh Mickey, you're so fine..."

 

I give up.

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You know, I have not read an interesting Rolling Stone article since Jerry died back in 1995. Even then, they were pandering to the teeny boppers and worried more about selling adverts than being credible. Still, any reason to boycott corporate rock and roll is fine by me.
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QUOTE (mjohnson30 @ Apr 29 2011, 06:24 PM)
Billy Corgan said it well in Beyond the Lighted Stage that if at some point you can't acknowledge their body of work and accomplishments, regardless of what you think of their music, then you're just being a douche.  Who knows, maybe he was even taking a little shot at the RRHOF there.

Whatever objective criteria there is out there for induction (admittedly not enough) they've met nearly all of it.  No, they didn't usher in a whole new genre of music like say the Sex Pistols or Nirvana, but Album sales, longevity, influence, fan following, they've got all that and it's been enough for other acts to get in.  Their status as, in the words of RS themselves, the "World's Biggest Cult Band" one can that can somehow maintain cult status while also selling millions of records and sell out large concert venues year after year uniquely sets them apart in the industry.

But a few douches in suits don't like Geddy's voice and Neil's lyrics and so they don't get in. You kind of lose all credibility when you're that subjective.

Nirvana did not create a whole new genre of music.....they were a nice mix of punk and classic rock with emphasis on the former (and worthy of induction IMO). The Pistols did create a new genre, sort of though the roots of punk go back to The Kinks, early Who, etc. They did so along with The Clash and The Ramones though the latter 2 had FAR more talent. Besides, creating a whole new genre of music didn't get Black Sabbath into the Hall of Shame until they'd been eligible for like 10 years or so. F**k Jann Wenner, f**k the Hall of Shame and f**k RS magazine.

Edited by driventotheedge
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QUOTE
BOYCOTT "ROLLING STONE" MAGAZINE!!!

 

I think you're preaching to the converted. I don't know of any Rolling Stone supporters or subscribers on this board. Not one.

 

We already HAVE boycotted Rolling Stone. And as far as getting OTHERS to boycott it: do they care about the "fiasco" enough to? Chances are, what we see as a "fiasco" is no such thing in their minds.

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QUOTE (mjohnson30 @ Apr 29 2011, 08:24 PM)
Billy Corgan said it well in Beyond the Lighted Stage that if at some point you can't acknowledge their body of work and accomplishments, regardless of what you think of their music, then you're just being a douche. Who knows, maybe he was even taking a little shot at the RRHOF there.

It was Matt Stone who said that, and what he called them was "dikkheads."

 

And he most definitely WAS taking a shot at Rolling Stone and their ilk, because he named them.

 

Between Stone's comment and Corgan's comment right before it, I think the two of them have nailed the Rush situation. Given Rush's success and longevity, at some point they have to be acknowledged.

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I used to get Rolling Stone, but then my bird died, so I had no more use for it.
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Rolling Stone magazine actually interviewed Rush a couple of times before:

 

Rush Never Sleeps - July 2008

 

Rush: Power From The People - May 1981

 

The 1981 article/interview with David Fricke is my contribution that I emailed to John at Cygnus X-1 who then posted it.

 

I recently emailed the critic at the Montreal Gazette who posted those comments about the band 30 years ago and included in the email a copy of the recent review from that same paper.

 

Concert review: Rush's three-hour triumph

 

I asked him if he saw the Rush documentary and if he's had a change of heart about the band many years later.

 

His response was:

 

'thanks for writing and reminding me of a piece written 10,000 years ago. Yes, my view of the band has changed radically. They are a Canadian icon and insitution, very talented and incredibly nice guys - met them a number times. Still can't stand their music and the thought of 3 hours with them (meaning hearing the music) Wed. would make me crazy. p.s. loved the doc'.

Edited by RushFanForever
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Yes, about the only thing RS is good for is birdcage liners, and that's only after I run out of local newspapers.
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