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Your favourite Rush middle 8


treeduck

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Ok here I am asking yet another Rush related question. The middle 8, a departure from the songs main verse/chorus melodic structure/direction, so called because it tends to occur in the middle of the song and is often 8 bars long. That's all very interesting but, which is your favourite Rush middle 8?

 

The one that's in my head right now and one I really like is the one in Hand Over Fist, which I think is actually stronger musically than the rest of the song, especially the chorus (maybe they should have made a song out of the middle 8). For those who are confused it's the part that goes:

 

Take a walk outside myself

In some exotic land

Greet a passing stranger

Feel the strength in his hand

Feel the world expand

 

Yes the part that changes in the middle...

 

Ok so now I've asked the question, time for you to formulate your answers...

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"You can surrender without a prayer

But never really pray

Pray without surrender

You can fight, fight without ever winning

But never, ever win

Win without a fight..."

 

- "Resist", Test for Echo

 

Hands down.

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QUOTE (Kudzu @ Oct 4 2006, 07:06 PM)
"You can surrender without a prayer
But never really pray
Pray without surrender
You can fight, fight without ever winning
But never, ever win
Win without a fight..."


- "Resist", Test for Echo

Hands down.

goodpost.gif new_thumbsupsmileyanim.gif

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You're the first person, other than myself, that I've heard refer to the "middle 8"...cool.

 

That's a hard one to answer...

 

Hand Over Fist is a good one...I love that song.

 

Middletown Dreams is also most excellent, as is Marathon.

 

The breakdown/middle 8 in Freewill kicks major tail, as does Red Barchetta.

 

Heck...they're all good.

 

 

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QUOTE (Kudzu @ Oct 4 2006, 06:06 PM)
"You can surrender without a prayer
But never really pray
Pray without surrender
You can fight, fight without ever winning
But never, ever win
Win without a fight..."


- "Resist", Test for Echo

Hands down.

DYNOMITE!

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"Don't want to silence

A desperate voice

For the sake of security

No one wants to make a terrible choice

On the price of being free

I don't want to face the killer instinct-

Face it in you or me

So we keep it under lock and key..."

 

Is this a middle 8? There are a bunch of good ones. I think what makes them cool is the singularly awesome sound of Geddy's voice like a calm spot in a storm of sound...and then the beat is picked up again by a great roll from Neil.

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QUOTE (DmanYYZ @ Oct 5 2006, 08:51 AM)
"Don't want to silence
A desperate voice
For the sake of security
No one wants to make a terrible choice
On the price of being free
I don't want to face the killer instinct-
Face it in you or me
So we keep it under lock and key..."


Is this a middle 8? There are a bunch of good ones. I think what makes them cool is the singularly awesome sound of Geddy's voice like a calm spot in a storm of sound...and then the beat is picked up again by a great roll from Neil.

I think that part would be the chorus. The middle eight (even though its really at the end) would be:

 

"We don't want to be victims

On that we all agree

So we lock up the killer instinct

And throw away the key"

 

Its the little section of the song thats musically different from the rest of the song.

 

 

 

 

 

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QUOTE (DmanYYZ @ Oct 5 2006, 08:51 AM)
"Don't want to silence
A desperate voice
For the sake of security
No one wants to make a terrible choice
On the price of being free
I don't want to face the killer instinct-
Face it in you or me
So we keep it under lock and key..."


Is this a middle 8? There are a bunch of good ones. I think what makes them cool is the singularly awesome sound of Geddy's voice like a calm spot in a storm of sound...and then the beat is picked up again by a great roll from Neil.

No that's the chorus, there's no true middle 8 in Lock and Key but there's something like one that's half spoken but it's really a version of the chorus only slowed down somewhat, here it is:

 

We don't want to be victims

On that we all agree

So we lock up the killer instinct

And throw away the key.

 

 

This song has a chorus, verses and a pre-chorus bridge but not a proper middle 8 it's more of a chanted chorus interlude...

 

 

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QUOTE (treeduck @ Oct 5 2006, 12:20 PM)
QUOTE (DmanYYZ @ Oct 5 2006, 08:51 AM)
"Don't want to silence
A desperate voice
For the sake of security
No one wants to make a terrible choice
On the price of being free
I don't want to face the killer instinct-
Face it in you or me
So we keep it under lock and key..."


Is this a middle 8?  There are a bunch of good ones.  I think what makes them cool is the singularly awesome sound of Geddy's voice like a calm spot in a storm of sound...and then the beat is picked up again by a great roll from Neil.

No that's the chorus, there's no true middle 8 in Lock and Key but there's something like one that's half spoken but it's really a version of the chorus only slowed down somewhat, here it is:

 

We don't want to be victims

On that we all agree

So we lock up the killer instinct

And throw away the key.

 

 

This song has a chorus, verses and a pre-chorus bridge but not a proper middle 8 it's more of a chanted chorus interlude...

I stand corrected!!

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Just for reference, another name for the middle 8 (especially if it isn't 8) would be to refer to it as the bridge.

 

As for my choice, no idea. Maybe I'll think about it more later.

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Wow! Some very interesting, but great, choices. I don't think the boys can write a bad "middle eight". One of my favourites is The Trees, the bit with the bass pedals, the middle of the next song on that album is pretty damn good too, specially the guitar solo. 2.gif
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QUOTE (Kudzu @ Oct 5 2006, 12:06 AM)
"You can surrender without a prayer
But never really pray
Pray without surrender
You can fight, fight without ever winning
But never, ever win
Win without a fight..."


- "Resist", Test for Echo

Hands down.

goodpost.gif

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Another one I like is unusual and very cool, from the excellent Open Secrets which isn't a very talked-about song...

 

Here's the middle 8 section, it's just before the guitar solo...

 

I find no absolution

In my rational point of view

Maybe some things are instinctive

But there's one thing you could do

You could try to understand me

I could try to understand you.

You could try to understand me

I could try to understand you

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QUOTE (lerxt1990 @ Oct 5 2006, 02:23 PM)
Neurotica.

Yeah this has a cool middle 8:

 

SNAP!

Hide in your shell, let the world go to hell

It's like Russian roulette to you

SNAP!

Sweat running cold, you can't face growing old

It's a personal threat to you

SNAP!

The world is a cage for your impotent rage

But don't let it get to you

SNAP!

 

Which sets up a stunning Lerxt guitar break...

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I like the middle 8 in the rhythm method
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QUOTE (third hand grace @ Nov 7 2006, 08:20 AM)
I like the middle 8 in the rhythm method

I used to think you were a chick Gracey but i realise that a girl wouldn't ever come out with a comment like that...

 

(think about it)

 

wink.gif

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Prime Mover

 

I set the wheels in motion

Turn up all the machines

Activate the programs

And run behind the scenes

 

I set the clouds in motion

Turn up light and sound

Activate the window

Watch the world go around

 

I'm not sure if it's my favorite but it's the first one to come to mind. The ending of that song gives me chills the way they made Geddy's voice trail off like that.

I also like the one in Hand Over Fist a lot. I'm sure I'll think of others later.

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