Powderfinger

Hmmmm, some of these would make my list. I need to give this some thought... http://ultimateclassicrock.com/nerdiest-rush-songs/

One of my five favorite bands of all time, but this is incredibly lame. This new collection has no appeal for a true fan. And sure, the idea to intersperse solo career material throughout the set is interesting, but some of the selections are real headscratchers. Whose idea was this? Alas, I'm still looking forward to the new documentary...

Oh yeah, Quicksand's Slip album is stellar! I forgot all about them. I'll have to put them on again soon.

I was a big fan of Meantime and Betty, and to a slightly lesser degree, Strap it On. For me they were an exciting and relatively unique band, but I sort of lost interest when I began to feel that they were a bit too monochromatic in style and tone. Perhaps I've been missing out ever since? I saw them live twice: once opening for Faith No More on their Angel Dust tour, and once headlining, with The Rollins Band and Les Claypool's Sausage in support. Both concerts were excellent. The good ol' days, dude!

His work in Dead Poets Society and Good Will Hunting made a strong impression on me when I was coming of age. R.I.P.

First album I purchased with my own allowance money: http://upload.wikimedia.org/wikipedia/en/5/5f/Van_Halen_-_1984.jpg

Positively Cinderella Man—an underrated song with a striking guitar solo.

Don't do it, man. Step away slowly.

I think Rush would have at least enjoyed a respectable career as a middling rock band. Alex and Geddy still would have evolved into the recognized, outstanding musicians that they became. Although, Neil's expert playing has perhaps pushed them slightly further than they necessarily would have progressed with Rutsey occupying the drummer's throne. For my money, Neil's lyrics and drumming facilitated a future as an iconic rock band, but they likely would have done well without him. Then again, 2112 secured their future in the business, and that wouldn't have occurred without Neil's involvement. But at the same time, their career was in jeopardy because of Caress of Steel, which of course is a product of Neil's involvement. I think most of us make the mistake of simply judging Rutsey's talents according to the debut album. But Geddy and Alex subsequently improved as musicians. Why don't we grant Rutsey the same potential? Geddy and Alex weren't exactly the same guys who would eventually produce albums as sophisticated as Hemispheres or Moving Pictures. Perhaps John would have grown alongside them. Okay, I'm just spinning my wheels here... I suppose in the early 70s, Cream/The Who/Zeppelin-inspired rock bands were a dime a dozen. History simply doesn't preserve much in the way of pale imitations, thus producing nostalgia. How can we know if Rush would have been a mere also-ran, or evolved into a revered rock trio? Whatever the answer, it doesn't entirely depend on John Rutsey.

Not sure how many new insights are delivered, if any, but thought I should share: http://ultimateclassicrock.com/rush-john-rutsey/

Start here... http://i251.photobucket.com/albums/gg293/goose_trf/Signalscap_zps3e93bec8.jpg Are you serious? I'm going to try that. If nothing else, you have :rush: spelled out in dalmatian spots! Whoa! I cannot believe I never realized this. Has this been common knowledge among fans?

This has essentially been my sentiment while working this puzzle. It gives me a headache.

Yes, a Signals puzzle. I found it at Half-Price Books for like $4.99 I haven't worked a puzzle in ages, so I'm not sure if it's an especially difficult puzzle, or if my skills are not sharp. Perhaps I need to actually listen to Signals while working on it.

Start here... http://i251.photobucket.com/albums/gg293/goose_trf/Signalscap_zps3e93bec8.jpg Are you serious? I'm going to try that.

Anyone having an easier time with this than me? The dalmatian spots in particular are nearly impossible to negotiate.

Spirit of Radio Limelight Subdivisions Entre Nous Analog Kid Vital Signs Hemispheres La Villa Strangiato Xanadu 2112 Cinderella Man The Pass New World Man Red Barchetta Losing It Camera Eye Mission Marathon Manhattan Project Between the Wheels Working Man Fly By Night A Farewell to Kings Closer to the Heart Tom Sawyer

Indeed. It's my understanding that Nick Mason doesn't actually play on A Momentary Lapse of Reason. Jim Keltner and Carmine Appice sat in for those sessions. The Division Bell sessions featured Dave, Rick, Nick, and Guy Pratt at the core, similar to the classic era. This might explain why I love TDB and can barely tolerate AMLoR.

You complained that Rush are becoming too "commercial" and "garnering a lot of casual pseudo-fans who don't know shit," but then you suggest that they do something similar to Pink Floyd and The Beatles, but better? Mmmmmm....kaaayyy. I fail to see the inconsistency in that. If there was to be another film, make it an animated musical short surrounding one of their epics... And unlike The Wall or Yellow Submarine, make it worth watching It's inconsistent to disparage Rush's "commercial" level and "pseudo-fans" while simultaneously encouraging the band to emulate two groups whose commercial successes and pseudo-fanbases absolutely dwarf Rush's.

You complained that Rush are becoming too "commercial" and "garnering a lot of casual pseudo-fans who don't know shit," but then you suggest that they do something similar to Pink Floyd and The Beatles, but better? Mmmmmm....kaaayyy.

Thanks for sharing this. I had never heard this. This sort of made my evening. Man, listen to how prevalent the keyboards are in this version of Tom Sawyer. And Signals gets all the blame for introducing keyboards?

When I consider my dream band I honestly have trouble imagining any member from Rush as part of it. I just can't hear them playing with anyone else. In my imagination they only belong together. I can't even imagine Neil Peart playing with Steve Howe, for example—let alone someone such as Keith Richards!

I've seen this point about Broon smiling and lowering the fader before. I always find it odd, because the prevailing narrative is that Broon did not like the emphasis on keyboards and the general direction in which the band was headed—and of course stepped away as a result. I've ranted about this in other threads: Signals, my favorite Rush album, is in my interpretation the most misrepresented, perhaps even misunderstood, album in the group's catalog.

I'll reserve some of my criticism because certain points have already been stated by others, and I don't want to pile on too much. Clockwork Angels is essentially a middling Rush album for me. From the outset, I was especially impressed by Headlong Flight and The Wreckers, and I still am. I also still enjoy the title track. The rest does nothing for me. I could write at length about the production, but I struggle more with the songs. I haven't listened to the album in just under a year and I honestly cannot remember how most of the songs go—even the choruses. For example, when I try to remember The Anarchist I'm not sure if I'm erroneously thinking of Carnies. Simply put, in my humble opinion the melodies are lacking. I just don't find the album nearly as creative or inspired as its conceptual veneer promises. Taking a wide-angle view of their catalog, Rush used to either run ahead of trends, or at least alongside them. Since Counterparts, give or take, they seem to be chasing trends, and for too long they've been stuck on this nu-metal production style that lacks tonal dynamic and space for instruments to inhale and exhale. Sadly, I agree with those who mostly hear a monolithic slab of somewhat indistinguishable parts. That said, I fully embrace the possibility that I am the problem, and not the album. And I would argue that the album's merit is relatively strong when compared to other artists who have been around for comparable lengths. Finally, I'm not trying to bash for the sake of bashing. I still love Rush; I'm a true fan; I loved the CA live show that my wife and I caught; and I'm excited to see where they go next.

But that little change in it that is different is what makes it.....different. Look at vanilla ice and under pressure. He changed one little piece and was not found to have plagiarized it. This isn't true. Vanilla Ice was found guilty of plagiarism. Queen received official songwriting credit.

Yes, it's certainly possible, especially by accident. I'm sure Rich digs classic Yes. And it's not as though Rich hasn't borrowed heavily from Keith Richards, who borrowed from Ry Cooder and Gram Parsons, among others. And speaking of blatant ripoffs and The Crowes, did you ever hear country singer Gretchen Wilson's "Work Hard, Play Harder"? It's essentially a rewrite of "Jealous Again." Anyway, I appreciate sharing this exchange. I too am a diehard, obsessive Genesis, Yes, and Rush fan who also adores The Black Crowes (that's Marc Ford in my avatar). Add The Stones and you have my five all-time favorite bands. I always assumed I was alone in this respect... P.S. - We must remember that "Remedy" emerged from "Words You Throw Away," which bears virtually no resemblance to the Yes tune: http://www.youtube.com/watch?v=Y_mAA_QJ7-s