Dscrapre

^^^^ This. They worked out the without considering if it was in a key Geddy would be able to sing comfortably. again how did they not realize this during rehearsals? I remember when I watched the documentary I was thinking "huh?" I think it had something to do with how challenging the instrumentation was on that album. I'll bet that Geddy was putting all of his focus on perfecting the bass lines, that he didn't even think about how he was gonna sing it. At that point I think that he was probably taking his voice for granted. As he said, he never even tried to sing it before the instruments were all recorded.

Vocalists have ranges that they can sing in. If vocalist is really comfortable singing in, say, the key of C, but the song is written in Eb (E-flat), then the melody that goes along with chords in that key may be too high for the vocalist to sing. Sure, a vocalist could come up with an alternate melody using harmony lines, but that often sounds weird without the main lines. The other choice would be to sing the main melody in Eb but a full octave down, which can also be a challenge for a vocalist, depending on his range. You said it better than I ever could. A good example from the Rush catalog is 2112. Listen to the original version and then listen to any live version after 1996. You will notice that all of the notes have been lowered in pitch so that Geddy's lower vocals will be in tune with the rest of the song.

That would be the greatest thing ever. Especially Freeze!

I would be way too psyched if they played "In the Mood" as the last song of their encore.

I really hope they reach in to the back catalog and dust this one off on the next tour! http://upload.wikimedia.org/wikipedia/en/5/51/Fonzie_jumps_the_shark.PNG

Well 2 out of 4 ain't bad.... :D Yeah too bad he had to put those filler tracks Red Sector A and Red Barchetta in there. But seriously, the "red block" would be great! I like all of those songs!

Why? My buddy told me to start early and work my way up. What happens after 1997? Do your self a favor and ignore Gemini. He is a bitter old man who is stuck in the past.

YAY!

I saw a Rush tribute band play this recently. It was badass!

And for the encore, Fancy Dancer! Man, now I really want them to play Fancy Dancer...

meh. I think that they've done better. The version of 2112 on there is great. To me, the rest of the tracks on it are not the definitive versions.

I voted for the Anarchist, on account of it being my favorite song on the album. Halo Effect is a close second. Just a beautiful track that was equally pretty live.

It's an ok album. Definitely not my favorite ever, but it has it's moments. Alex's guitar on this thing is just tremendous and his tones are gorgeous. No One At the Bridge is a particular highlight in that regard. Necromancer is excellent as well and is a total highlight of the 70's catalog. I will never understand why the "Under the Shadow" instrumental jam hasn't made any live appearances. It would absolutely kill! I Think I'm Going Bald is pretty funny, but also a strong track. For me though, a good number of the tracks on here just don't work. Lakeside Park is meh, as are many parts of the Fountain of Lamneth. Bastille Day is pretty cool, but it always struck me as being Anthem's less dynamic younger brother.

Rush tried that formula (minus long cut) on the CA Tour and lost most of the crowd by the end of Territories. That's why Limelight was rediscovered. And the audience was still lost by too many "minor hits" from the synth era. If you want to get casual or less than casual fans interested, be wary of putting too many synth era songs in a row...or in the set for that matter. My preferences were definitely showing in those examples! Add songs like Anthem or Entre Nous to the minor hits. Here's a pretty well-balanced sample setlist: The Spirit of Radio Anthem Force Ten Cinderella Man Natural Science YYZ Limelight Tom Sawyer *Encore: Closer to the Heart* EDIT: I added it up and this would be roughly 45 minutes of music.

I don't know about that, I feel like Vapor Trails has a pretty clear theme of loss, rediscovery of self, and hope for the future.

I guess there is a sort of formula that works well for this kind of thing. Big Hit (Tom Sawyer, Spirit, Subdivisions etc.) 2 or 3 Minor Hits (Big Money, Force Ten, Distant Early Warning etc.) Deep Cut (Grand Designs, Circumstances, Between The Wheels etc.) Long cut (Natural Science, parts of 2112, Xanadu etc.) A few Big Hits to go home on.

The moment of pure joy that myself and everyone else in the United Center experienced on September 15 2012 when Working Man was replaced by The Spirit of Radio is a testament to the universal truth of that statement.

It's different coming from the rhythm section. In my estimation Alex could play basically anything and as long as Geddy and Neil were smooth, it would probably sound fine. See, I'm not saying that Neil should play this thing EXACTLY as it's recorded. One of his great gifts is his ability to add interesting accents and fills without ruining the momentum of the song he is playing. The problem is that, to my ears, his fills and accents on Working Man do not suit the song and serve only as a distraction. It sounds like he added fills after every bar just so that his version is more complex than the original.

I've always thought that Neil goes WAY overboard with the pointless fills when he plays Working Man. It didn't start right away, though. The earliest version I know of with Neil is from the "Fifth Order of Angels" Bootleg (also known as "ABC 1974") and on that version he plays a much more faithful version of the original album's drum part than I've ever heard out of him. By All the World's a Stage, he was playing it completely differently. After that I think he started to become more comfortable playing with the other two and so he started to branch out. Personally, I don't feel like what he does on Working Man really fits the song at all. Working Man is supposed to be a loose jam, but Neil's fills are massive groove killers. I hold it up as an example of how a lot of times, less can be more. But, I'm not a huge fan of Working Man anyway so it's no big loss to me.

Yeah, he's just noodling. You hear it all the time on rehearsal bootlegs.

you seem very angry and not too funny. I think that this guy is Gemini's slightly more obtuse and way less amusing alter ego.

Wow, people gotta lighten up a bit.

Sold exclusively at Walmart.

I think that he was doing his best work in the mid to late 80's. Between the Wheels, Mission, and Presto for me are all highlights.If I had to say a specific album, I guess it might have to be Hold your Fire. Although Vapor Trails is way up there with any of those as well. (See Signature)

Wow what a miserable troll you are Mr. Spaghetti. I'm suddenly reminded of some great advice that was given to me by a very wise bass player: http://i.imgur.com/E5kkveu.jpg