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Sabs89

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Posts posted by Sabs89

  1. QUOTE (tick @ Jun 27 2009, 06:08 PM)
    QUOTE (Sabs89 @ Jun 27 2009, 12:14 PM)
    QUOTE (Gompers @ Jun 27 2009, 10:23 AM)
    QUOTE (tick @ Jun 27 2009, 11:10 AM)
    QUOTE (Sabs89 @ Jun 27 2009, 11:06 AM)
    Upon fifth listen....This album still sucks.

    Hey, nice to hear. bekloppt.gif

    unsure.gif

     

    tick has turned the corner? He has seen through the plastic?

     

    But the album doesn't really suck.

    No it doesn't. But it's not what i hoped for. I hold DT to a higher standard, as they've made some magical albums. This album is just so standard.

     

    I want to hear music, not 7 minutes a song of DT dicking around with their instruments. On Images and Words and SFAM the extended instrumental passages were smart, beautiful, and fitting. Lately on the past two albums it's just the same cliched formula of Rudess' circus keyboards, and Mike Portnoy doing mini drum solos, followed by a synth vs guitar battle. It's really just old. They should try making music, not trying to follow some predesigned archetype that they've made since they fired Moore.

     

    Also, the experimentation with harsher vocals is just embarrassing. It's not their bag, they aren't Opeth.

    You are entitled to feel that way, but on the DT boards the fans are loving the album, and thats what really matters. I love the new album, and have no problem with what you call formulaic.

    There really should be the official Dream Theater whiners thread, so all you disenchanted fans can criticize and bash there recent albums as much as you like.

    No offense, but I started this thread to celebrate the band, not rip them apart at every turn.

     

    Do you prefer the most recent albums to Images and Words ? Because if you do, you and I will never agree. I liked a lot of what DT has done, but Moore was the most creative member of the band, and without him they don't write songs as well.

     

    I know most DT fans are going to drool over the album, but these are the same people who are utter die hards and will drool over anything as long as the names of the musicians on it are the Petrucci, Rudess, Myung, and Portnoy.

     

    And for the record, they need to let Myung write more lyrics. These lyrics are embarrassing to sing with.

  2. QUOTE (Gompers @ Jun 27 2009, 10:23 AM)
    QUOTE (tick @ Jun 27 2009, 11:10 AM)
    QUOTE (Sabs89 @ Jun 27 2009, 11:06 AM)
    Upon fifth listen....This album still sucks.

    Hey, nice to hear. bekloppt.gif

    unsure.gif

     

    tick has turned the corner? He has seen through the plastic?

     

    But the album doesn't really suck.

    No it doesn't. But it's not what i hoped for. I hold DT to a higher standard, as they've made some magical albums. This album is just so standard.

     

    I want to hear music, not 7 minutes a song of DT dicking around with their instruments. On Images and Words and SFAM the extended instrumental passages were smart, beautiful, and fitting. Lately on the past two albums it's just the same cliched formula of Rudess' circus keyboards, and Mike Portnoy doing mini drum solos, followed by a synth vs guitar battle. It's really just old. They should try making music, not trying to follow some predesigned archetype that they've made since they fired Moore.

     

    Also, the experimentation with harsher vocals is just embarrassing. It's not their bag, they aren't Opeth.

  3. QUOTE (PhilCastro @ Jun 18 2009, 12:46 AM)
    QUOTE (Sabs89 @ Jun 17 2009, 11:57 PM)

    "It features all the guitar and keyboard wankery that DT is famous for, but very few parts of it are really fresh and catchy to me. "

    "The refrain of the song sounds like something that should be played on a mainstream rock station. "

    okay, so you dont like them for not being catchy, then you dont like them for sounding TOO catchy? huh.gif

     

    I guess this is what Mike was trying to say in "Never Enough" i guess.

    I don't dislike it because it's catchy. I dislike it because it's cliched and boring.

     

    Honestly, I haven't been overly impressed with DT since SFAM. 6 Degrees second side was excellent, Train of thought had some good songs, and Octavarium and SC had their moments, but none of the albums can capture the magic that they had with Images and Words.

     

    Jordan Rudess while being a technically brilliant keyboardist lacks the creativity that Moore had. Maybe you are all right, but to me the act is getting old. Heavy Metallica-esque riff, progressive breakdown with carnival sounding keyboards and a guitar/synth battle. Same formula every song, and i guess it's just getting old to me.

     

    I was looking forward to the new album as maybe a partial return to form, and a shift in sound, but it definitely was just more of the same from SC.

  4. I should give it a few more listens, but after 3 times through I've found most of it just sounding uninspired. It's the same album as SC, but without any hooks.

     

    A Nightmare to Remember is very boring and forgetable. It features all the guitar and keyboard wankery that DT is famous for, but very few parts of it are really fresh and catchy to me.

     

    A Rite of Passage is a solid song, and the first one that i enjoyed.

     

    Wither's guitar line is wickedly sinister and dark, but the rest of the song doesn't hold up. The refrain of the song sounds like something that should be played on a mainstream rock station.

     

    The Shattered Fortress was a big disappointment to me. On its own it's a very good song, however my biggest problem with it is the utter lack of originality. All the lyrics and music are from other songs in the AA trilogy. Not one bit of it is really new or fresh. And as much as i love The Glass Prison, This Dying soul, and The Root of all evil, I don't need to hear them again in one song.

     

    The Best of Times is a pretty good song. Maybe my favorite on the album now. It's solid DT.

     

    The Count of Tuscany is ok. Parts of it are really good, and other parts drag on and on. It is a long song, so i guess that's natural, but the great long songs are good all the way through. I'd like to have the lyric sheet on that one, as the story seems cool.

     

    All in all, there are some moments were it drags a little, but most of it is solid music. But just nothing is really great. And Dream Theater is a band i hold in high regard, so to me it was a big let down.

  5. Hey thats Awesome! If you ever teach poetry, get the students to analyze lyrics in class. Scan them, figure the rhyme scheme, figure the meaning, look for poetic devices. Pick a bunch of Rush songs for examples. That would be cool. Then for homework let them pick 2 songs of their choosing to scan and analyze.

     

    Thats what my teacher did sophmore year in high school (although i did the Rush songs, not her) and it was a huge hit.

  6. I used Rush in my Philosophy 101 class a week ago. The professor was equating life as a journey and he asked me what i thought about it. Since i was sleeping (8 am class) I responded with the first thing i could think of:

     

    "The point of the journey, is not to arrive."

     

    He lauded me with praises after that one, and i just kind of smirked. That made my week.

  7. This one is too easy:

     

    On the 82st day of Christmas, my Rush love gave to me

     

    82 Snakes and arrows

     

    81 Signals

     

    80 pieces of classic literature to use for lyrics

     

    79 Cries from Afar =DD

     

    78 Hemispheres

     

    77 parts of "fear"

     

    76 Spirits of the Radio

     

    75 more Rush references for this thread

     

    74 Temples of Syrinx

     

    73 Working men

     

    72 Tobes of Hades

     

    71 Digital Men

     

    70 Certain nights

     

    69 Alien shores

     

    68 brief eclipses

     

    67 Locks and keys

     

    66 Halves of the World

     

    65 Tai Shan mountains

     

    64 English Rains

     

    63 hopeful bridges

     

    62 Valleys flooded in light

     

    61 High school halls

     

    60 Pages a' Turnin'

     

    59 camera eyes

     

    58 Friends to Take

     

    57 Stars that Stopped in the Sky

     

    56 gods of Balance

     

    55 Signals

     

    54 Trails of Vapor

     

    53 Retrospectives

     

    52 Subdivisions

     

    51 Methods of Rhythm

     

    50 Shipwrecked mariners

     

    49 Anthems of the heart and mind

     

    48 Mystic Rhythms

     

    47 Things to Leave Alone

     

    46 Honeydew melons

     

    45 Fawn-eyed girls

     

    44 Mad Immortal Men

     

    43 Dreamlines

     

    42 Bones a'rolling

     

    41 Kneeling Kings

     

    40 one less teacher

     

    38 fisheye lenses

     

    37 minutes to Drum to Moving Pictures

     

    36 vibrating wires

     

    35 Tests for echo

     

    34 Pieces of (Lemony) Cake

     

    33 Power Windows

     

    32 eggs in vises

     

    31 oracles from a better time

     

    30 pemanent waves

     

    29 Vital Signs

     

    28 Gates of the Year

     

    27 Shrimp Cots

     

    26 Snow Dogs

     

    25 Jacob's ladders

     

    24 secret country places

     

    23 Different Stages

     

    22 Planets of the solar federation

     

    21 smokes on the pier

     

    20 tossing derby hats

     

    19 flighty nights

     

    18 Tide Pools

     

    17 Dog Years

     

    16 Totems

     

    15 unpressured graces

     

    14 Ghosts of a Chance

     

    13 Steels caressing

     

    12 Neil Pearts Drumming

     

    11 Red Barchettas

     

    10 Little Victories

     

    9 magic rabbits

     

    8 Spotted dalmations

     

    7 Magic Digits (1-0-0-1-0-0-1)

     

    6 Priests of Syrinx

     

    A Fiiiiivve Pointed Star!

     

    4 Pictures that move

     

    3 Puppet Kings

     

    2 Magic Prism Eyes

     

    and a blue owl in a lofty oak tree

     

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