Rutlefan
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Posts posted by Rutlefan
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^^ Funny, I thought she was THE HOTTEST ever in that Adam Ant video. Was surprised (but then not so) to learn she was Stromberg's boat/helicopter pilot in The Spy Who Loved Me. For my money, the two most beautiful Bond girls in one film, her and Barbara Bach.
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1. Whole Lotta Love - Led Zeppelin
2. Rock and Roll, Hoochie Koo - Rick Derringer
3. Life During Wartime - Talking Heads
4. Stone Cold Crazy - Queen
5. Supernaut - Black Sabbath
6. Electric Funeral - Black Sabbath
7. Monkey Man - the Rolling Stones
8. Life In the Fast Lane - the Eagles
9. Muse - New Born
10. Finding My Way - Rush
11. Kick Out the Jams - MC5
12. Rollin' and Tumblin' - Muddy Waters/Cream/Johnny Winter
13. Ain't Talkin' Bout Love - Van Halen
14. Children of the Grave - Black Sabbath
15. In the Flesh - Pink Floyd
16. (I Can't Get No) Satisfaction - the Rolling Stones
17. American Woman - the Guess Who
18. Takin' Care of Business - Bachman Turner Overdrive
19. the Rover - Led Zeppelin
20. Into the Void - Black Sabbath
21. Sunshine of Your Love - Cream
22. Long Cool Woman - the Hollies
23. Achilles Last Stand - Led Zeppelin
24. Anthem - Rush
25. An Ode to No One - Smashing Pumpkins
26. Sweet Leaf - Black Sabbath
27. Celebration Day - Led Zeppelin
28. You Really Got Me - the Kinks
29. Bastille Day - Rush
30. Black Night - Deep Purple
31. La Grange - ZZ Top
32. Detroit Rock City - Kiss
33. Smells Like Teen Spirit - Nirvana
34. Money For Nothing - Dire Straits
35. Barracuda - Heart
36. Question - the Moody Blues
37. Layla - Derek and the Dominoes
38. Smoke On the Water - Deep Purple
39. Back In Black - AC/DC
40. Day Tripper - the Beatles
41. Let's Build A Car - Swell Maps
42. Hair of the Dog - Nazareth
43. Eight Miles High - the Byrds
44. (Don't Fear) the Reaper - Blue Oyster Cult
45, Iron Man - Black Sabbath
46. Gimme Shelter - the Rolling Stones
47. Bohemian Rhapsody - Queen
48. Heartbreaker - Led Zeppelin
49. Heaven and Hell - Black Sabbath
50. the Lemon Song - Led Zeppelin
51. Rock Lobster - B52s
52. Dirt - Alice In Chains
53. Little Guitars - Van Halen
54. Jumpin' Jack Flash - the Rolling Stones
55. Spoonman - Soundgarden
56. Victim of Changes - Judas Priest
57. Jailbreak - Thin Lizzy
58. Crazy Train - Ozzy Osbourne
59. Toys In the Attic - Aerosmith
60. Money - Pink Floyd
61. She - Kiss
62. 20th Century Boy - T. Rex
63. Godzilla - Blue Oyster Cult
64. Kashmir - Led Zeppelin
65. Green Grass and High Tides - Outlaws
66. Rockin' In the Free World - Neil Young
67. I Can't Explain - the Who
68. Time Stand Still - Rush
69. Limelight - Rush
70. Wild Child - the Doors
71. La Villa Strangiato - Rush
72. Johnny B. Goode - Chuck Berry
73. I Feel Fine - the Beatles
74. Fire - Jimi Hendrix
75. Gimme Stitches - Foo Fighters
76. For Whom the Bell Tolls - Metallica
77. Powerslave - Iron Maiden
78. Master of Puppets - Metallica
79. Jesus Christ Pose - Soundgarden
80. Tornado of Souls - Megadeth
81. More than A Feeling - Boston
82. Riff Raff - AC/DC
83. Bang A Gong (Get It On) - T. Rex
84. Another One Bites the Dust - Queen
85. Breadfan - Budgie
86. Panama - Van Halen
87. Paranoid - Black Sabbath
88. Rusty Cage - Soundgarden
89. Bombtrack - Rage Against the Machine
90. Aces High - Iron Maiden
91. Aqualung - Jethro Tull
92. I Just Wanna Make Love to You - Foghat
93. Cross-Eyed Mary - Jethro Tull
94. Carry On Wayward Son - Kansas
95. Day of the Eagle - Robin Trower
96. Working Man - Rush
97. Yours Is No Disgrace - Yes
98. Arizona - Scorpions
99. My Sharona - the Knack
100. Combination - Aerosmith
101. Voodoo Child - Jimi Hendrix
102. Owner of A Lonely Heart - Yes
103. Smokin' - Boston
104. Sweet Child O' Mine - Guns N' Roses
105. Modern Love - David Bowie
106. the Prisoner - Iron Maiden
107. Hysteria - Muse
108. A National Acrobat - Black Sabbath
109. Escape - Journey
110. Rocks off - the Rolling Stones
111. Stone In Love - Journey
112. Flirtin' With Disaster - Molly Hatchet
113a. 2112: I. Overture, 113b. II. the Temples of Syrinx - Rush
115. Heartbreaker - Pat Benatar
116. She Sells Sanctuary - the Cult
117. the House Is A Rockin' - Stevie Ray Vaughan
118. Gator Country - Molly Hatchet
119. Love Stinks - J. Geils Band
120. Mean Street - Van Halen
121. Whole Lotta Rosie - AC/DC
122. Black Dog - Led Zeppelin
123. Run Through the Jungle - Creedence Clearwater Revival
124. Symptom of the Universe - Black Sabbath
125. N.I.B. - Black Sabbath
126. Purple Haze - Jimi Hendrix
127. I'd Love to Change the World - Ten Years After
128. Don't Take Me Alive - Steely Dan
129. Living After Midnight - Judas Priest
130. Falling off the Edge of the World - Black Sabbath
131. Country Girl - Black Sabbath
132. E.T.I. (Extra Terrestrial Intelligence) - Blue Oyster Cult
133. Yellow Ledbetter - Pearl Jam
134. Megalomania - Black Sabbath
135. Jessica - the Allman Brothers Band
136. the Wizard - Black Sabbath
137. Symphony of Destruction - Megadeth
138. Walk This Way - Aerosmith
139. Love Removal Machine - the Cult
140. Communication Breakdown - Led Zeppelin
141. Caravan - Rush
142. I - Black Sabbath
143. All Day and All of the Night - the Kinks
144. Are You Gonna Go My Way - Lenny Kravitz
145. Oh, Pretty Woman - Roy Orbison
146. Public Image - PIL
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114. The Cult - She Sells Sanctuary
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My three favorite b-sides that didn't appear on an LP (not already mentioned and not counting EP/extended singles tracks):
The Exploding Boy by The Cure (backed In Between Days)
All of Us by Big Country (backed In a Big Country)
Annex by OMD (backed Enola Gay)
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U2's Sweetest Thing was originally released in 1987 as the b-side of Where the Streets Have No Name. It became a big hit in 1998 as part of the band's greatest hits release that year.
Also, Walk to the Water is a great b-side to With or Without You.
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How about "Silver Springs", the Fleetwood Mac song left off the Rumours LP...
Stevie Knicks was furious that the rest of the band made the decision to leave the song off the album over her objections (not enough space). Personally, I far prefer it to Songbird or Oh Daddy (esp Oh Daddy), despite usually really liking C. McKvie's songs.
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Great article. Love this ending, "If you’re not embarrassed by your youth, what good are you?”
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One album not on this list is XTC's Skylarking. Its initial release, whose track list didn't include its now-signature song Dear God, was originally panned by RS as more evidence that XTC was exhausted and out of ideas, pandering to audiences with yet more pastoral nothings a la Mummer's Love on a Farm Boys Wages. Their negativity seemed to be validated by the lack of impact the album had on the charts. I remember this well as I really loved XTC and I loved Skylarking and wished more people would as well. I felt for XTC; not that their career needed validation from RS but they did seem to be struggling a bit (following Mummer and The Big Express) and a hit piece by RS didn't help a very good album that few seemed to notice (initially). I thought that review snarky, unfair and unwelcome; I could only wonder what XTC thought of it.
Then Dear God, issued as the b-side of Grass (various stories exist as to why it was left off the initial pressing of the album), took off on U.S. college radio and the album was subsequently re-issued with Dear God included (Mermaid Smiled was sacrificed, which was too bad as it was/is a really excellent song, though it did show up later on compilation album Rag and Bone Buffet). The re-issued album, carried by the success of Dear God, took off on the indie/college charts. A different reviewer with RS, reviewing the re-issue with Dear God, claimed the now-commercially successful album a masterpiece. Today, RS lists it as #48 on its top 100 albums of the '80s.
So is the album actually great vs completely forgettable just because it has Dear God instead of Mermaid Smiled? Of course not; two different reviewers, with their own taste and biases, each influenced by the album's apparent reception, apparently. This is what makes these reviews annoying, if you take them seriously, and which is why I don't take them seriously, just as I don't take car reviews seriously (it's all click bait in the end; everyone's trying to make a living).
Re Dear God, hard to believe it was left off the album in the first place. A wonderfully crafted, powerful song that doesn't really say anything controversial or new, it just says it with emotional impact. The "problem of evil" is probably the strongest argument against a loving God and always has been to my way of thinking, at least phrased as "the problem of pain" ... so much unnecessary evil is due to us violent, brainy monkeys that it's existence never swayed me as strongly as the existence of pain and suffering which seems woven into the fabric of things, regardless of our human awfulness. That said I don't think the argument decisive but needs to be faced and Andy Partridge has done his part. As he said, he was trying to give voice to "a struggling agnostic." Perfectly understandable, and well done.
p.s. Andy has written much more clever disses of organized religion than Dear God if one wants to get all upset about it.
p.p.s. I found the original, critical, RS review by Rob Tannenbaum (http://chalkhills.or...e.html#rs870326). Not quite as blistering as I remembered but definitely down on the album and the band. E.g., the result (of XTC's and producer Todd Rundgren's collaboration) is "ultimately unsatisfying," revealing "the limitations of (Partridge's) pastoral vision through his reliance on repetition." Later, after the successful re-issue, Tim Sommer of RS praised the album as "the most inspired and satisfying piece of Beatle-esque pop since ... well, since the Beatles," comparing it favorably with such classics as Rubber Soul, Revolver, Pet Sounds and The Kinks' Village Green Preservation Society. Same world, different realities.
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73. I Feel Fine - The Beatles
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1. Whole Lotta Love - Led Zeppelin
2. Rock and Roll, Hoochie Koo -- Rick Derringer
3. Life During Wartime - Talking Heads
4. Stone Cold Crazy - Queen
5. Supernaut - Black Sabbath
6. Electric Funeral - Black Sabbath
7. Monkey Man - Rolling Stones
8. Life In The Fast Lane - The Eagles
9. Muse - New Born
10. Finding My Way - RUSH
11. Kick Out the Jams-MC5
12. Rollin and Tumblin-Muddy Waters/Cream/Johnny Winter
13. Aint Talkin Bout Love - VH
14. Children Of The Grave - Black Sabbath
15. In The Flesh - Pink Floyd
16. (I Can't Get No) Satisfaction - The Rolling Stones
17 - American Woman - The Guess Who
18 - Takin' Care Of Business - Bachman-Turner Overdrive
19. The Rover - Led Zeppelin
20. Into The Void - Black Sabbath
21. Sunshine of your love - Cream
22. Long Cool Woman - The Hollies
23. Achilles Last Stand -- Led Zep
24. Anthem - Rush
25. Smashing Pumpkins - An Ode To No One
26. Black Sabbath - Sweet Leaf
27. Celebration Day - Led Zeppelin
28. You Really Got Me - The Kinks
29. Bastille Day - RUSH
30. Black Night - Deep Purple
31. La Grange - ZZ Top
32. KISS - Detroit Rock City
33, Smells Like Teen Spirit - Nirvana
34. Money For Nothing - Dire Straits
35. Barracuda - Heart
36. Question - The Moody Blues
37. Layla - Derek and The Dominos
38. Smoke On The Water -DP
39. Back In Black - AC/DC
40. Day Tripper - Beatles
41. Let's Build a Car - Swell Maps
The opening... I think it's all of one note but it works
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16. (I Can't Get No) Satisfaction - The Rolling Stones
As we continue to work on the low-hanging fruit.
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^^ I had a friend at the time who was really into the first album (with "Mad World"). I didn't really care for them thinking them kind of prissy Brits singing mopey songs so I was prepared not to like Songs from the Big Chair when it came out but whoa, it was unstoppable, like a force of nature. What VH's debut was to rock in '78 SftBC was to pop alternative in '85. Seemed like everyone liked it no matter what kind of music they were into otherwise.
You mentioned "one side." Side 1 I assume. Side 2 is so cool too, while being very different from side 1. One thing that made the album so great.
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1. Whole Lotta Love - Led Zeppelin
2. Rock and Roll, Hoochie Koo -- Rick Derringer
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Teenage Riot
Yo La Tengo
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Thought of this one the other day, Ministry's Everyday is Halloween:
https://www.youtube.com/watch?v=KFPI9b9N6CQ
Also like this from a one hit wonder, 88 Lines About 44 Women:
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I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
I these were the only lines he ever delivered, they would be enough to make him one of the greats. RIP
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Don't know how soon after this Ben died, but look how thin he was. He's skin and bones. Sounded very weak too.
So Benjamin is a loud and proud Browns fan! I always knew he was a good soul.
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Christian Rock music that brands itself as such sucks more often than not, and what doesn’t suck of it is usually mediocre. That’s coming from a Catholic rock and roller. Rock music inspired by Christianity (either negatively or positively) but not nominally “Christian,” is usually better (see Kansas, Black Sabbath, Jethro Tull, U2, etc.).
Great music is (usually) hard to make, and I think a lot of “Christian” bands think rely too much on their message (which is often a corny dull version of what religion is supposed to be about) to carry a mediocre melody in a typical verse-chorus structure. I’d rather hear Christian blues, cuz then the playing would have to be good or they’d never go anywhere. Plus, in some 2000 years of tumultuous perseverance, you’d think Christianity would have a good blues or two in its soul.
J.R.R. Tolkien famously (if you like Tolkien) wrote that he "cordially dislikes allegory in all its manifestations". Yet, he writes elsewhere ("Letters of...") that he considers LOTR a "fundamentally religious and Catholic work." For me, self-identified "Christian rock" is like really clumsy, pain-inducing allegory. With few exceptions from what I've been exposed to, I can't stand it; it's like that South Park episode where Cartman and the gang start a Christian band ("Faith+1" :D) by writing cheesy love songs and then replacing "Baby" with "Jesus," basically. I will admit that I am not at all fluent in the genre though; there might be some really good artists that I'll likely never hear.
On the other hand, through the centuries, magnificent, soulful music inspired by the Christian faith has been woven into the cultural heritage of the West... classical, opera, gospel, blues, etc. Sometimes the religiosity is front and center, like Beethoven's Ode to Joy, but other times it's hidden under themes such as sin and redemption, as in so much blues and (deeper than most) artists like Dylan and Cash; like in the LOTR, Christian influences pervade the art without taking over (leaving the reader/listener freedom of interpretation, which was Tolkien's concern). That's what I like. I recall a quote from Bono, that he only likes artists that are "either running to or away from God." To some extent I'm like that too -- I think artists like Dylan, Cash, Sufjan Stevens, Nick Cave, etc. can be appreciated at a deeper level than artists without any spiritual aspect to their art -- but of course I also like plenty of music that has nothing to do with existential or spiritual struggles: hot rods, babes, black holes, dystopian tales of the future, and plenty of power chords for the sake of power chords. Some though, or many, would argue that even hot rods and babes are ultimately spiritual issues.
So to the original question, I think my answer is no, but I do love good music that is spiritual in nature, or as Bono put it, is at least "running away" from God. I have a soft spot for writers like Kurt Cobain and Jeffrey Lee Pierce, whose music in an odd way I consider spiritual, because they wrestled with, and confronted, the pain and troubles of life, which ultimately are spiritual concerns, IMO.
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^^
This is fantastic!
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Meatyard is a good name for a person who takes those kinds of photos.I might actually check this one out. For one, I didn't know this:
In chapter five, during an interview with “Ort,” a colorful Athens denizen, craft beer expert, and old band friend, he explains to Lurie that the band’s name doesn’t stand for “Rapid Eye Movement.” They actually named themselves after Ralph Eugene Meatyard, a Kentucky photographer of enough repute that he once photographed Thomas Merton. But Meatyard was best known for his unsettling and blurry black and white photos of subjects, often his own children, standing around in the woods wearing Halloween masks. Notably, he signed his letters with a lowercase “r.e.m.”—exactly the way it appeared on the band’s early concert posters and albums.
Honestly, my first thought while looking at those photographs was, "This guy is seriously messed up."
He certainly puts the gothic in American Gothic. He kind of foreshadowed some of the creepy horror of the last twenty/thirty years or so.
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I might actually check this one out. For one, I didn't know this:
In chapter five, during an interview with “Ort,” a colorful Athens denizen, craft beer expert, and old band friend, he explains to Lurie that the band’s name doesn’t stand for “Rapid Eye Movement.” They actually named themselves after Ralph Eugene Meatyard, a Kentucky photographer of enough repute that he once photographed Thomas Merton. But Meatyard was best known for his unsettling and blurry black and white photos of subjects, often his own children, standing around in the woods wearing Halloween masks. Notably, he signed his letters with a lowercase “r.e.m.”—exactly the way it appeared on the band’s early concert posters and albums.
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"Spirit of Radio for obvious reasons"...
Not criticizing as everyone is entitled to their opinion but what would be the obvious reasons? They totally escape me as I prefer the studio version to any live version I've heard. It's clean, it's strong, it's perfect, IMO. Again, not criticizing just curious.
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Can Rutle please clarify what this thread is about?
I originally took it to mean live versions of songs that were awful, but then thought he meant live versions that were better than the studio version.
In case of the latter, Rush is the only band of which I am aware that has consistently sounded better live than in the studio, even back in the 70's when it was hard to do so.
What I said above. Live versions that make listening to the studio version pointless, more or less. There are probably few songs with both live and studio versions that one likes equally as much; you're almost always going to prefer one to another. I'm asking about those live songs that basically make you uninterested in the studio versions, or make listening to the studio versions difficult. There's only a few songs like that for me; I named three that immediately came to mind. As an aside, when I was young I overwhelmingly preferred live versions, albums like Around the World with Three Dog Night, Wings Over America, The Song Remains The Same, and All the World's a Stage being my early favorites. As an adult though, I almost always prefer studio versions, with a few exceptions, like most the tracks off of All the World's a Stage. But take The Song Remains the Same, apart from No Quarter, I'll take the studio version of every track even though I really enjoy the album.
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I also misunderstood this post. You should reword the title: "Live versions that were better than the studio version"
No, that would be a different thread. I can think of many many many songs that have a recorded live version better than the studio version, and vice versa. Not a very interesting question I think. I meant what I said, though maybe "ruined" isn't the best word. How about, "Live versions that made the studio versions irrelevant for you."
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TRF's List of Top 100 Guitar Riffs!
in Music Of The Spheres
Posted
1. Whole Lotta Love - Led Zeppelin
2. Rock and Roll, Hoochie Koo - Rick Derringer
3. Life During Wartime - Talking Heads
4. Stone Cold Crazy - Queen
5. Supernaut - Black Sabbath
6. Electric Funeral - Black Sabbath
7. Monkey Man - the Rolling Stones
8. Life In the Fast Lane - the Eagles
9. Muse - New Born
10. Finding My Way - Rush
11. Kick Out the Jams - MC5
12. Rollin' and Tumblin' - Muddy Waters/Cream/Johnny Winter
13. Ain't Talkin' Bout Love - Van Halen
14. Children of the Grave - Black Sabbath
15. In the Flesh - Pink Floyd
16. (I Can't Get No) Satisfaction - the Rolling Stones
17. American Woman - the Guess Who
18. Takin' Care of Business - Bachman Turner Overdrive
19. the Rover - Led Zeppelin
20. Into the Void - Black Sabbath
21. Sunshine of Your Love - Cream
22. Long Cool Woman - the Hollies
23. Achilles Last Stand - Led Zeppelin
24. Anthem - Rush
25. An Ode to No One - Smashing Pumpkins
26. Sweet Leaf - Black Sabbath
27. Celebration Day - Led Zeppelin
28. You Really Got Me - the Kinks
29. Bastille Day - Rush
30. Black Night - Deep Purple
31. La Grange - ZZ Top
32. Detroit Rock City - Kiss
33. Smells Like Teen Spirit - Nirvana
34. Money For Nothing - Dire Straits
35. Barracuda - Heart
36. Question - the Moody Blues
37. Layla - Derek and the Dominoes
38. Smoke On the Water - Deep Purple
39. Back In Black - AC/DC
40. Day Tripper - the Beatles
41. Let's Build A Car - Swell Maps
42. Hair of the Dog - Nazareth
43. Eight Miles High - the Byrds
44. (Don't Fear) the Reaper - Blue Oyster Cult
45, Iron Man - Black Sabbath
46. Gimme Shelter - the Rolling Stones
47. Bohemian Rhapsody - Queen
48. Heartbreaker - Led Zeppelin
49. Heaven and Hell - Black Sabbath
50. the Lemon Song - Led Zeppelin
51. Rock Lobster - B52s
52. Dirt - Alice In Chains
53. Little Guitars - Van Halen
54. Jumpin' Jack Flash - the Rolling Stones
55. Spoonman - Soundgarden
56. Victim of Changes - Judas Priest
57. Jailbreak - Thin Lizzy
58. Crazy Train - Ozzy Osbourne
59. Toys In the Attic - Aerosmith
60. Money - Pink Floyd
61. She - Kiss
62. 20th Century Boy - T. Rex
63. Godzilla - Blue Oyster Cult
64. Kashmir - Led Zeppelin
65. Green Grass and High Tides - Outlaws
66. Rockin' In the Free World - Neil Young
67. I Can't Explain - the Who
68. Time Stand Still - Rush
69. Limelight - Rush
70. Wild Child - the Doors
71. La Villa Strangiato - Rush
72. Johnny B. Goode - Chuck Berry
73. I Feel Fine - the Beatles
74. Fire - Jimi Hendrix
75. Gimme Stitches - Foo Fighters
76. For Whom the Bell Tolls - Metallica
77. Powerslave - Iron Maiden
78. Master of Puppets - Metallica
79. Jesus Christ Pose - Soundgarden
80. Tornado of Souls - Megadeth
81. More than A Feeling - Boston
82. Riff Raff - AC/DC
83. Bang A Gong (Get It On) - T. Rex
84. Another One Bites the Dust - Queen
85. Breadfan - Budgie
86. Panama - Van Halen
87. Paranoid - Black Sabbath
88. Rusty Cage - Soundgarden
89. Bombtrack - Rage Against the Machine
90. Aces High - Iron Maiden
91. Aqualung - Jethro Tull
92. I Just Wanna Make Love to You - Foghat
93. Cross-Eyed Mary - Jethro Tull
94. Carry On Wayward Son - Kansas
95. Day of the Eagle - Robin Trower
96. Working Man - Rush
97. Yours Is No Disgrace - Yes
98. Arizona - Scorpions
99. My Sharona - the Knack
100. Combination - Aerosmith
101. Voodoo Child - Jimi Hendrix
102. Owner of A Lonely Heart - Yes
103. Smokin' - Boston
104. Sweet Child O' Mine - Guns N' Roses
105. Modern Love - David Bowie
106. the Prisoner - Iron Maiden
107. Hysteria - Muse
108. A National Acrobat - Black Sabbath
109. Escape - Journey
110. Rocks off - the Rolling Stones
111. Stone In Love - Journey
112. Flirtin' With Disaster - Molly Hatchet
113a. 2112: I. Overture, 113b. II. the Temples of Syrinx - Rush
115. Heartbreaker - Pat Benatar
116. She Sells Sanctuary - the Cult
117. the House Is A Rockin' - Stevie Ray Vaughan
118. Gator Country - Molly Hatchet
119. Love Stinks - J. Geils Band
120. Mean Street - Van Halen
121. Whole Lotta Rosie - AC/DC
122. Black Dog - Led Zeppelin
123. Run Through the Jungle - Creedence Clearwater Revival
124. Symptom of the Universe - Black Sabbath
125. N.I.B. - Black Sabbath
126. Purple Haze - Jimi Hendrix
127. I'd Love to Change the World - Ten Years After
128. Don't Take Me Alive - Steely Dan
129. Living After Midnight - Judas Priest
130. Falling off the Edge of the World - Black Sabbath
131. Country Girl - Black Sabbath
132. E.T.I. (Extra Terrestrial Intelligence) - Blue Oyster Cult
133. Yellow Ledbetter - Pearl Jam
134. Megalomania - Black Sabbath
135. Jessica - the Allman Brothers Band
136. the Wizard - Black Sabbath
137. Symphony of Destruction - Megadeth
138. Walk This Way - Aerosmith
139. Love Removal Machine - the Cult
140. Communication Breakdown - Led Zeppelin
141. Caravan - Rush
142. I - Black Sabbath
143. All Day and All of the Night - the Kinks
144. Are You Gonna Go My Way - Lenny Kravitz
145. Oh, Pretty Woman - Roy Orbison
146. P.I.L. - Public Image
147. Snowblind - Black Sabbath
148. Slow Poke - April Wine
149. Sabbath Bloody Sabbath - Black Sabbath
150. Makin`Love - Kiss
160. India - Psychedelic Furs