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Al and Andy Summers


lifeson90
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ok so Al for me is the greatest rock guitarist there'll ever be, right...

 

but how much do you think he really owes to Andy Summers?

 

i mean, at a time in the early 80's when rush really needed a change in sound and direction, did Al consciously try to incorporate some of Andy's sound into his own playing, possibly even to the point of copying him to a degree?

 

dont get me wrong, i dont care if he did or didnt... Signals is just a truly superb album and Al's never sounded better or more unique but, i recall being around at the time, when The Police were massive, and i remember thinking ' hmm interesting Alex is definitely ripping off Andy Summers a bit ' :)

 

so personally speaking, even though as i say Al will always be my untouchable number one, i do believe Alex has a helluva lot to owe to andy Summers for the rejuvenation of his sound and the band in general, propelling them into the 'modern' era of rush so to speak.

 

even the albums after Signals banging well on into the late 80's still bore the influence imo, the sound was a mechanism by which the band could write an album of 4 or 5 minute tracks instead of the longer prog stuff, you know what i mean...

 

 

Anyways, probably been said many times before in this forum and others but... props to Andy Summers I say.

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Finally some credit to Andy - he never got the respect he deserved in The Police because Sting and Stewart were dominant personalities in the band. The similarity between Andy´s and Al´s tones in Middletown Dreams demo posted above is uncanny!!! It sounds really cool - I wonder what this would have done for Rush in terms of ppopolarity if they kept it like that.

 

Eventually Alex has changed his sound, as was the case with Neil and Geddy - no two albums sound the same when it comes to Rush! But it´s interesting how the boys have always been able to capture the essence of each era into their sound: first with Led Zeppelin, then with prog giants like Yes, Jethro Tull, Genesis etc., later with New Wave and The Police, and grunge to a certain extend in the Counterparts era. I dare say that even Muse circa Absolution has some influence in a few things they have done since 2000...

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Yeah nice one substance that demo recording illustrates quite powerfully the undeniable influence of Andys sound you simply have to acknowledge that Al took the style and sound for himself, dare i say it even in a plagiarist way, i mean its almost like a direct copy of artistic style, which ordinarily i'd say wasnt too cool but, bearing it mind the great modern rush albums it helped to produce, we shouldn't care too much if at all.

 

By the way i wouldn't say Alex was just blatantly copying Andy's playing, which obviously is far from truth, more like twisting the sound into another kind of animal altogether.... theyre obviously two completely different artists, just making point that Alex drawn to Andy's groove and jumped into it, producing his own Alex Lifeson take on it, thats all :)

Edited by lifeson90
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Finally some credit to Andy - he never got the respect he deserved in The Police because Sting and Stewart were dominant personalities in the band. The similarity between Andy´s and Al´s tones in Middletown Dreams demo posted above is uncanny!!! It sounds really cool - I wonder what this would have done for Rush in terms of ppopolarity if they kept it like that.

 

Eventually Alex has changed his sound, as was the case with Neil and Geddy - no two albums sound the same when it comes to Rush! But it´s interesting how the boys have always been able to capture the essence of each era into their sound: first with Led Zeppelin, then with prog giants like Yes, Jethro Tull, Genesis etc., later with New Wave and The Police, and grunge to a certain extend in the Counterparts era. I dare say that even Muse circa Absolution has some influence in a few things they have done since 2000...

 

Funny I heard Rush's influence in Muse On the epic jam that closes out Knights of Cedona.

 

Totally agree about Andy Summers and his influence on Alex's tone and approach/phrasing in the mid 80's.

 

Some of Alex's finest work during the so called keyboard era. And so happy they are cranking out he mid 80's stuff on the CA tour.

 

AWESOME!! 14 days away.

Edited by Todem
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Alex is great at everything- power chords, shredding, soloing, and rhythm.

But, I consider Andy Summers to be the best rhythm guitarist of all time. It wasn't Andy's riffing or wailing that illuminated all those memorable Police songs. He was able to elevate rhythm guitar to the heart of the song and eliminate the need for lead guitar.

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It took YEARS...but I finally asked Andy himself about his influence on Alex. You will find his answer towards the end of the interview below.

 

 

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Hmm 

Well I liked the police and his guitar playing had a lit to do with it, but always felt a certain sameness in their music. Those first 2 albums sounded very unique at the time, but didn't stand up to repeated listening. I never reach for a police album- haven't in decades. 

Nice interview but all members of the police strike me as pretentious and belief in their own press.

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Fantastic interview, Rod!  Andy really seemed to appreciate how knowledgeable you are of his music and career.

 

Thanks for posting. :cheers:

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On 7/28/2024 at 6:09 PM, taurus said:

Hmm 

Well I liked the police and his guitar playing had a lit to do with it, but always felt a certain sameness in their music. Those first 2 albums sounded very unique at the time, but didn't stand up to repeated listening. I never reach for a police album- haven't in decades. 

Nice interview but all members of the police strike me as pretentious and belief in their own press.

 

Brilliant singles band, but they never managed a truly great album. Too many songs that were either boring or weird on each one.

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3 hours ago, Rush Didact said:

 

Brilliant singles band, but they never managed a truly great album. Too many songs that were either boring or weird on each one.

:ninja:

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On 7/28/2024 at 9:05 PM, goose said:

Fantastic interview, Rod!  Andy really seemed to appreciate how knowledgeable you are of his music and career.

 

Thanks for posting. :cheers:

 

Thanks man! And yeah, he was REALLY cranky in the beginning, but got better as he realized I'm actually a fan. Glad you liked it!

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20 hours ago, Rush Didact said:

 

Brilliant singles band, but they never managed a truly great album. Too many songs that were either boring or weird on each one.

 

As much as I disagree with you, I understand why you feel that way. Some of Police's deeper cuts might sound too weird for the casual listener.

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Amazingly talented musicians the Police are.. Amazing as the Police too with mammoth success . Its no surprise that Alex and Neil used Andy's and Stewarts influences from time to time .(Digital Man comes to mind here).                The only one I never heard talk of is Geddy  taking from Sting's bass riffs. Agree that there is sometimes 1-2 maybe 3 tracks on  each of their albums that are too odd, weak, deeper cut for the album to  considered brilliant which is unfortunate. However the rest of those tracks on each album are completely brilliant 

Agree that all 3 members are  pretentious and perhaps too egotistical and Andy did seem more cranky than usual in this interview  (lol).  Andy is a masterclass player one of the finest ever , Stewart I think is too, and is my 2nd biggest drum influence next to NP. Sting is excels in so many aspects.  The Police remain my 2nd overall fav..  

 

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On 7/31/2024 at 6:10 PM, Rod in Toronto said:

 

As much as I disagree with you, I understand why you feel that way. Some of Police's deeper cuts might sound too weird for the casual listener.

 

I can usually deal with weird. Stuff like Mother is kind of grating, but I understand what they were doing. It's the dull, bloated crap like Behind my Camel that really ruins their albums for me and makes me start skipping tracks. There's no excuse for that song, and even less excuse for it to have won a Grammy.

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On 8/1/2024 at 1:31 AM, YYZ Working Man said:

Amazingly talented musicians the Police are.. Amazing as the Police too with mammoth success . Its no surprise that Alex and Neil used Andy's and Stewarts influences from time to time .(Digital Man comes to mind here).                The only one I never heard talk of is Geddy  taking from Sting's bass riffs.

 

 

With all due respect to Sting, who is an excellent bassist, Geddy is lightyears beyond him. I doubt there's a whole lot he found interesting and worth adopting in his playing.

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On 8/2/2024 at 1:58 PM, Rush Didact said:

 

I can usually deal with weird. Stuff like Mother is kind of grating, but I understand what they were doing. It's the dull, bloated crap like Behind my Camel that really ruins their albums for me and makes me start skipping tracks. There's no excuse for that song, and even less excuse for it to have won a Grammy.

Those are both Andy Summers songs.  I enjoy them, but I get that a lot of people don't. 

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On 8/2/2024 at 5:01 PM, Rush Didact said:

 

With all due respect to Sting, who is an excellent bassist, Geddy is lightyears beyond him. I doubt there's a whole lot he found interesting and worth adopting in his playing.

I have not heard another bassist quite like Geddy. He reaaaally found his own musical voice.

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Geddy praises Sting and The Police in his autobiography...but he didn't mention the bass lines specifically.

 

Also...Behind My Camel has no place in the Grammys, let alone beating YYZ!!!

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On 7/28/2024 at 8:38 AM, Rod in Toronto said:

It took YEARS...but I finally asked Andy himself about his influence on Alex. You will find his answer towards the end of the interview below.

 

 

As a Police NERD, I thank you for asking this question. I always wondered about Andy's take on Alex.

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19 hours ago, 78jazz said:

As a Police NERD, I thank you for asking this question. I always wondered about Andy's take on Alex.

 

My pleasure!!!! Too bad he said he didn't like Rush...oh well...

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