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Mr. Not
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The Utafumi pitch is x999999 times better than that vid though, honestly. The "SITTING ON THE BEACH THIS SUMMER" video has an amount of artistic merit to it, while the 'Best Album' promo vid is much more generic & trendy.

They're both ridiculous. That's what I'm getting at.

 

I get that, but the Utafumi vid is ridiculous and corny in a good way while the best promo is ridiculous and corny in a "meh" way.

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I’m just gonna say this in light of Dillinger Escape Plan’s final show ever tonight. Chris Pennie was a very talented drummer who ultimately f**ked up his career over TWICE. First for leaving DEP cause he had (and maybe still has considering he left Coheed which he joined because of what happened in DEP) a massive f***ing ego which caused conflict w/the rest of the band. And second for leaving Coheed and not following up w/moving onto another active band. He’s got a very low profile since leaving Coheed which sort of sucks cause I’m not even sure he’s even an active musician anymore. Edited by PolarizeMe
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Yo, it would be cool if that one f****t would take a break from marching in the prissy pussy piss-all-over-me parade and attempt to lighten up by participating in this thread every once in a while. Y'know, the guy who's gone completely silent for the past several months even though people still want to hear what he has to say.

 

F***in' c***.

 

That's a disrespectful way to talk about our dearly departed Lenny. :rose:

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Yo, it would be cool if that one f****t would take a break from marching in the prissy pussy piss-all-over-me parade and attempt to lighten up by participating in this thread every once in a while. Y'know, the guy who's gone completely silent for the past several months even though people still want to hear what he has to say.

 

F***in' c***.

 

That's a disrespectful way to talk about our dearly departed Lenny. :rose:

It’s been almost three years. RIP Lenny 201?-2015
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Fans say “Kukoku no kyouon” translates better live in person than it does on BluRay/live CD. Can’t say for myself cause they haven’t played it live in America at all yet. It’d be great if they did the next time I see DEG cause it’s my favorite of ARCHE. Edited by PolarizeMe
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"I don't usually have a big idea like how we should work on songs. I write the songs and the melody first, and then I just start finding out what works. Sometimes I have a clear vision of what I want to write, but then, it's also very easy to write yourself into a corner with that. You write a verse or a chorus and then you have no idea how to get away from there. So I find it easier to just start writing and see what comes out, it's much simpler that way. And whiskey helps."

 

yWvgQ.jpg

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Headed over to iTunes to listen to the preview of "Somebody Lied" and "Cause We Believed" off of the upcoming Alien Beans album. Somebody Lied sounds great, and I think I like it more than Freight Train and Johnny Guitar (both of those songs are kind of meh, Johnny Guitar especially). The entire album seems to have a more southern rock kick to it than any other work of Ty's.

 

I'll reserve judgement on the remastered disc 2 of the album, and I think that every track will be rerecorded and remastered in a different way. Very much looking forward to the remasters of.. Just about every song on the disc other than Cause We Believed or Bring it on Back.

 

Really interested in seeing what he does with Free Yourself, Ride, Money Mouth, Play, and Nobody Wins.

Edited by Mr. Not
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As of today, I finally have finished listening to each Dir En Grey studio album at least once.

 

I can definitely understand why UROBOROS is one of MK's favorites.

As for Kisou, for now it simply sounds like a bridge between MACABRE and VULGAR to me, which means it's good - just nothing new.

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I came very close to putting Code Orange on the most recent MK. Not because I liked them (in fact, I actually think they're only tolerable at their best and a comedy sketch at their worst), but because I wanted to get a confirmation that they aren't good from Not and Sean. This happens to be from that Dillinger show and me and my friends (a majority of the group hate Code Orange) were practically laughing at each other at their stage presence, questionable wearing of a band's own t-shirts, ridiculous ski masks and mockingly shouted out Code Orange stage banters at one another...such as the now infamous "WE! ARE! CODE! ORANGE! FROM! PITTSBURG! PENNSYLVANIA! DON'T! YOU! EVER! FORGET! THAT!"

 

http://www.youtube.com/watch?v=WR3PA1XsztI

Edited by PolarizeMe
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^ For the record, I sat myself down before going to bed the night before RIP Dillinger to listen to Code Orange specifically their latest, newest and Grammy nominated album cause I had not listen to their music at all up till that point. It was...uh...very awkwardly cut...it was like they were disoriented when they mixed and edited the album on ProTools. Either that, or they are just not good songwriters yet. I'd definitely would be more inclined to listen to them first before Tool because on technicality, metal sounding hardcore punk is the non-DEG/non-Aaron Turner related side of experimental or underground metal that does anything for me these days...whereas, oh forget about the Tool part. Edited by PolarizeMe
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My friend Nick made an excellent observation when I questioned why Code Orange left me lukewarm whereas I was instantly hooked on Full of Hell considering the two made a split together and toured in their earlier days (back when Code Orange was called "Code Orange Kids"). He said, Full of Hell went more experimental whereas Code Orange went more mainstream/crossover appeal.

 

He was pretty spot on. Full of Hell would never be nominated for a Grammy. Code Orange on the other hand exploded in 2017 because the stars aligned for them. They signed to Roadrunner after previously signed to (Converge frontman Jacob Bannon's) Deathwish and released the critically (but not fan) lauded Forever, and subsequently given a Grammy nod for the title track.

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One last comment on that Code Orange video. The video's length has their full set lasting 33:56. I recalled that for me watching their set on that fateful night, I thought it lasted 10 minutes longer than that.

 

Daughters' set was uploaded and that too was around a half hour, yet I felt it was shorter than that and remembered feeling bummed cause I actually love Daughters (it was the same Nick friend of mine in question who introduced me to them a year and a half ago and later had me vacate his extra ticket for one of their headlining Vitus shows when his friend bailed). Dillinger's set lasted almost an exact hour and 45 minutes.

Edited by PolarizeMe
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Alien Beans came in the mail today, one of the joys of preordering is getting the album earlier than the release date (even if just by one day...)

 

All I gotta says is that the I found out why the two singles were let downs... It's because they're of the weaker half of the album. I get why they're the singles, they're accessible songs.. With that in mind, Freight Train is a decent song, while Johnny Guitar is a rather boring song with a good guitar riff to carry it.

 

 

First impression song rankings(EMPHASIS on FIRST IMPRESSION) :

1. This Time (Gem Tabor)

2. Until This Day Is Done (Typical Tabor finale, but w/ an extended and interesting solo section outro)

3. Back It Down (Metal Tabor)

4. Somebody Lied (Typical Tabor)

5. Deeper Place (Solemn Tabor)

6. Freight Train (Single-song Tabor)

7. Alien Beans (Instrumental Intro)

8. Heavily Twisted (Experimental Tabor, maybe?)

9. Johnny Guitar (Riff-song Tabor)

0. So Here's To You (Acoustic Tabor)

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Code Orange signed to Roadrunner after previously signed to (Converge frontman Jacob Bannon's) Deathwish and released the critically (but not fan) lauded Forever, and subsequently given a Grammy nod for the title track.

Yet in spite of my indifference towards the band, I kind of hope that they actually pull an upset and actually win the Grammy over Mastodon and Meshuggah.

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