RUSHHEAD666 Posted October 24, 2014 Share Posted October 24, 2014 I'm not a fan of "Test For Echo" but I think a lot of is melodic. When "Vapor Trails" came out I played the hell out of it yet I could never get it.I tried to play the album on the drums and despite "One Little Victory" I got totally bored.I remember when "Snakes & Arrows" came out I raved about it on this forum. I think I wrote that I was in love with it and that it blew "Vapor" and "Test" AWAY!Well then "Clockwork Angels." "The Wreckers" does have a bit of melody but it seems like the boys just take "Vapor" and "Snakes" and make the "Angels" record. Hmmmmm. The last three albums sound the same? Alex sure tries to keep them melodic. "Clockwork Snakes, Angels And Arrows" Please tell me that Rush hasn't lost their melodic drive.................................... "We Hold On" is great. Link to comment Share on other sites More sharing options...
Geddy's Soul Patch Posted October 24, 2014 Share Posted October 24, 2014 I think there's been less and less melody on each album since Test for Echo. Vapor Trails is a pretty melodic album IMO. Snakes a bit less so, and CA even less than that...hopefully their next effort is a little more focused on melody Link to comment Share on other sites More sharing options...
RUSHHEAD666 Posted October 24, 2014 Author Share Posted October 24, 2014 I think there's been less and less melody on each album since Test for Echo. Vapor Trails is a pretty melodic album IMO. Snakes a bit less so, and CA even less than that...hopefully their next effort is a little more focused on melody Well stated. I just listened to a few cuts of the "Vapor Trails" Remix. Some moments shine on the record. Many fail.. "The way out is the way in" says it all. Link to comment Share on other sites More sharing options...
Ancient Ways Posted October 24, 2014 Share Posted October 24, 2014 I agree with everything except your take on CA not being melodic.Some great parts:The lenses inside of me that paint the world black...The glint of iron wheels....All of halo effectAll of the wreckersI have stocked the fire on the big steel wheels....Pretty much all of the garden 2 Link to comment Share on other sites More sharing options...
len(songs) Posted October 24, 2014 Share Posted October 24, 2014 They lost it after Presto. See The Big Wheel. 1 Link to comment Share on other sites More sharing options...
KennyLee Posted October 24, 2014 Share Posted October 24, 2014 Geddy's more restricted range makes vocal melody more challenging. I think that in combination with Alex wanting to play more aggressively and dissonant, melody has not been like it was back in the day. I must say though, that a bunch of the newer stuff is growing on me. What didn't strike me as very good or melodic when it first came out is really strating to sound better. 1 Link to comment Share on other sites More sharing options...
bluefox4000 Posted October 24, 2014 Share Posted October 24, 2014 (edited) There are some pretty good melodies on CP.....Which dropped out on TFE. Since then the melody writing has been patchy at best. Mick Edited October 24, 2014 by bluefox4000 1 Link to comment Share on other sites More sharing options...
EagleMoon Posted October 24, 2014 Share Posted October 24, 2014 I would agree with most everything stated here. I think TFE was still decent with the melodies but after that it went downhill big-time. The only more recent singable melody I can think of offhand is Far Cry, and even that isn't one of their best. 2 Link to comment Share on other sites More sharing options...
nicky6 Posted October 24, 2014 Share Posted October 24, 2014 Everyone craves over vapor trails, i was going through a really rough spot in my life when that came out, so it didnt grab me that hard. I did however like a few songs off it. but over all i felt it had too many weak moments.. and overrated. Link to comment Share on other sites More sharing options...
bluefox4000 Posted October 24, 2014 Share Posted October 24, 2014 And i have to say the loss of melody continued on Ged's MFH. Not really memorable Save for Still. So it's seems Ged is the guy who hit the wall. Forgive me.....i really don't know how much input Alex has. Mick Link to comment Share on other sites More sharing options...
toymaker Posted October 24, 2014 Share Posted October 24, 2014 I'm not sure I'm understanding much of this: what does it take for you folks to find something "melodic"? Does there have to be a certain kind of variable pattern of note intervals, or something? If it has to do with what's "catchy," isn't that about the most subjective thing there is? It's not like Lee is singing some kind of monotone / Gregorian chant sort of thing . . . 2 Link to comment Share on other sites More sharing options...
savagegrace26 Posted October 24, 2014 Share Posted October 24, 2014 (edited) An example of melody on wikipedia is "pop goes the weasel". Take that for what it's worth. I find most of their music during this period to be "melodic"...even if it just means hummable... Edited October 24, 2014 by savagegrace26 Link to comment Share on other sites More sharing options...
Narps Posted October 24, 2014 Share Posted October 24, 2014 I'm not sure I'm understanding much of this: what does it take for you folks to find something "melodic"? Does there have to be a certain kind of variable pattern of note intervals, or something? If it has to do with what's "catchy," isn't that about the most subjective thing there is? It's not like Lee is singing some kind of monotone / Gregorian chant sort of thing . . .I'm with you..... Link to comment Share on other sites More sharing options...
savagegrace26 Posted October 24, 2014 Share Posted October 24, 2014 How It Is might be a song that is the most comparable to "pop goes the weasel" out of their entire catalog... Link to comment Share on other sites More sharing options...
toymaker Posted October 24, 2014 Share Posted October 24, 2014 How It Is might be a song that is the most comparable to "pop goes the weasel" out of their entire catalog... It has two successive notes that have an interval comparable to the one between "pop" and "goes"? Then, yeah, very melodic! Not like those tunes on Clockwork Angels . . . Link to comment Share on other sites More sharing options...
savagegrace26 Posted October 24, 2014 Share Posted October 24, 2014 How It Is might be a song that is the most comparable to "pop goes the weasel" out of their entire catalog... It has two successive notes that have an interval comparable to the one between "pop" and "goes"? Then, yeah, very melodic! Not like those tunes on Clockwork Angels . . . BU2B, CA, Anarchist, Headlong Flight, Halo Effect, Garden, Wreckers, even Wish Them Well all seem pretty melodic to me. 1 Link to comment Share on other sites More sharing options...
toymaker Posted October 24, 2014 Share Posted October 24, 2014 High above the city squareGlobes of light float in mid-airHigher still against the nightClockworks angels bathed in light This one struck me instantly as being an interesting vocal melody, each line climbing just a bit more - almost hymn-like, in a way, then putting the rock touch on at the end with the heavy electric guitar coming in. 1 Link to comment Share on other sites More sharing options...
Geddy's Soul Patch Posted October 24, 2014 Share Posted October 24, 2014 (edited) Don't get me wrong, every single Rush album has fantastic melodies, but they are not as strong or as frequent as they once were. Edited October 24, 2014 by Geddy's Soul Patch Link to comment Share on other sites More sharing options...
toymaker Posted October 24, 2014 Share Posted October 24, 2014 Don't get me wrong, every single Rush album has fantastic melodies, but they are not as strong or as frequent as they once were. I wonder if it could be a nostalgia thing, or a repeated listens thing. The more a tune gets absorbed and familiar . . .? When it becomes inextricably fused to your memory . . . ? Link to comment Share on other sites More sharing options...
Lorraine Posted October 24, 2014 Share Posted October 24, 2014 Would Geddy singing "Sweet Chariot, swing low, come for me" at the end of Totem be considered melody? Link to comment Share on other sites More sharing options...
savagegrace26 Posted October 24, 2014 Share Posted October 24, 2014 Would Geddy singing "Sweet Chariot, swing low, come for me" at the end of Totem be considered melody? Interesting. I listened to Totem last night then listened to a couple of versions of Swing Low Sweet Chariot. I think all of Totem is very melodic and catchy. Very underrated song. 3 Link to comment Share on other sites More sharing options...
EagleMoon Posted October 24, 2014 Share Posted October 24, 2014 One way to distinguish whether a song has a good melody is whether it's easy to sing along to. Is the main melody line of the song remember-able or does it get lost in the song, feel dissonant, or just not fit? 3 Link to comment Share on other sites More sharing options...
toymaker Posted October 24, 2014 Share Posted October 24, 2014 One way to distinguish whether a song has a good melody is whether it's easy to sing along to. Is the main melody line of the song remember-able or does it get lost in the song, feel dissonant, or just not fit? I get what you're saying, but I think that partly has to do with a person's facility with music, maybe. I mean, if I could remember (if I could be bothered to remember) all the words to that "You Bet Your Life" thing, I could sing along to it - but I don't find it particularly melodic, in the way that Closer to the Heart is. It has a rhythmic thing happening, I guess. For me - I'm sure this is true of most of us - after I've heard a song a few times, I can anticipate/remember the vocal melodies or whatever - I can't not anticipate them, if you know what I mean - and I can sing along. I don't know of any examples of vocal melodies that get lost. Is it a question of hearing a song title and not immediately being able to "hear" the vocal lines to the main parts of the song? Is it a question of vocal melodies that only have semi-tone or full tone variations as opposed to melodies that "range all over"? "Half the World" is a song that doesn't range much, but it's pretty memorable (even if people don't like it because of the repeated phrasing or whatever). Is a song more melodic if, over four lines of lyric, it has a clearly structured pattern that doesn't have too much repetition and has a "plot" like a story? It rises and descends and perhaps resolves in some way? I'm not a music theory dude, so I don't really know the right terms - but I'm really interested in knowing not only what people find melodic, but why. 1 Link to comment Share on other sites More sharing options...
Lorraine Posted October 24, 2014 Share Posted October 24, 2014 I find Geddy very hard to sing along with for some reason. Link to comment Share on other sites More sharing options...
toymaker Posted October 24, 2014 Share Posted October 24, 2014 I find Geddy very hard to sing along with for some reason.Depends on what it is - "My uncle has a country place that no one knows about" is fun to sing. "Like a spiral sea unending" - not so much! 4 Link to comment Share on other sites More sharing options...
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